Christopher Nolan is a director of rare skill, depth, thoughtfulness, profundity and power. Memento, Inception and Interstellar, in particular, are brimming with ideas and you leave the cinema thinking, discussing, dissecting and struggling to understand what you have just seen. Unfortunately, Dunkirk is none of these things. It is a film, full of sound and … Continue reading Dunkirk – froth, bubble and a lot of noise
Month: July 2017
Tour de France 2017
So, another Tour over and what have we learned? Chris Froome is the foremost stage rider of his generation. A consummate time-triallist and a more than good enough climber is an unbeatable combination. He will never have the affection of the public; maybe because he’s British in name only, maybe because of his metronomic, controlled … Continue reading Tour de France 2017
‘Bike Nation’ by Peter Walker
Peter Walker is cycling correspondent for The Guardian and his book is a polemic about what it means to be a nation centred around the bike, instead of the car. It is full of stories, reports, statistics and interviews with leading lights in cities and nations that have transformed and are transforming the way that … Continue reading ‘Bike Nation’ by Peter Walker
War for the Planet of the Apes
War for the Planet of the Apes is the best film I have seen in 2017. In many ways, it is perfect. The story is sensible, makes sense and can appeal to adults as well as a younger audience; the script is literary but not too wordy; the acting is uniformly excellent; it is moving … Continue reading War for the Planet of the Apes
Spiderman: Homecoming
The latest Spiderman film takes the story back to early teenagehood. In some respects this is quite an interesting idea – do Superheroes emerge fully formed as adults or do they go through the normal stages of puberty like everyone else? This film takes that idea – Spiderman is really Spiderteenager – and shows how … Continue reading Spiderman: Homecoming
Baby Driver
Walter Hill made a film in 1978 called The Driver which stared Ryan O’Neal as an enigmatic, monosyllabic crack getaway driver and Edgar Wright’s superb new feature film reprises the same idea, only now the driver of the title is young and baby-faced and called...Baby. Baby’s mother (an amateur singer) and his father (of whom … Continue reading Baby Driver